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Konte
Why Konte
SH-17-1 · 5s × 12 · KONTE · MiniMax H3 on a local GPU

WHY KONTEHow it's different

A whole piece, not one clip at a time

How shooting in Konte differs from using a video model on its own.

01—POSITIONWhere Konte sits

Not a model, a studio

The model draws the picture. Konte takes care of everything before and after it.

  • TALK

    Say it, get a whole video

    Ask in one sentence and you get the plot, then the chapters and shots. Fixing it is just more conversation.

  • SHELF

    The more you shoot, the fuller the shelf

    Cast, sets, the Wiki, the shots you've taken. They stay in the project, and your next video starts from there.

  • STAGE

    Choose where it renders

    Through the fal.ai API or on your own GPU. Switch engines and your shot list and cast stay as they are.

02—SIDE BY SIDESide by side

Same model, a different way of working

Using a video model on its own, and shooting in Konte.

One request gets you
Using a video model on its own

One clip

Shooting in Konte

One whole video, with its chapters and shots laid out

Giving direction
Using a video model on its own

Write a prompt for every shot

Shooting in Konte

One row of the shot list, written in Japanese. The AI writes it up as an English prompt

Camera
Using a video model on its own

Describe it in words

Shooting in Konte

Buttons for angle, lens, move and speed. Or pick by the effect you want

Cast
Using a video model on its own

Prepare reference images for every shot

Shooting in Konte

Register them once as cast. Drop them into a shot for the same face and wardrobe

Location
Using a video model on its own

Describe it every time, in words or images

Shooting in Konte

Attach a set to a chapter and every shot is in the same place

Retakes
Using a video model on its own

Edit the prompt and make it again as a new clip

Shooting in Konte

Only the shots you don't like. Earlier takes stay in the history, and you can go back any time

Finished footage
Using a video model on its own

Line it up in a folder on your machine

Shooting in Konte

In Outputs, filterable by project → video → chapter

Lines and captions
Using a video model on its own

Add them in a separate editor

Shooting in Konte

Lines with their speakers, and captions, go on the shot list. Captions are burned in at the finish, and a subtitle file comes out too

Joining
Using a video model on its own

Line clips up in an editor

Shooting in Konte

Joined into one MP4. You can also export shot by shot

Sharing
Using a video model on its own

Send the video file

Shooting in Konte

A share URL that needs no login. The shot list, cast and sets can be shown along with it

Where it renders
Using a video model on its own

That service's cloud

Shooting in Konte

The fal.ai API, or your own GPU (ComfyUI)

Cost
Using a video model on its own

The service's plans or credits

Shooting in Konte

fal.ai fees go to your own key. On your own GPU, no API fees

Team
Using a video model on its own

Send files back and forth

Shooting in Konte

Members and guests work from the same shot list

The left column describes handing a prompt to a video model and making clips one at a time. It does not refer to the features of any specific service.

03—PROOFWhat we actually shot

The table's cast, location and retakes, in footage rendered in Konte.

MADE WITH KONTE—CASTING

Same direction, only the cast swapped

Four scenes. In each, the prompt is identical word for word; the only change is the cast.

Eye level · Static · 3 s

  • NANAMIWoman, 30s

  • MIOWoman, 20s

  • AOIWoman, 20s

  • HINAWoman, 20s

  • REIWoman, 50s

  • YUMAMan, 30s

6 cast members × 4 scenes · the 6 clips of a scene share the same shot direction and camera · MiniMax H3 on a local GPU

MADE WITH KONTE—SET & LOCATION

Same cast, a morning and a night version

A 15-second ad, same shots. Only the place and time of day change, for versions A and B.

Version A: Morning kitchen14.8S

Version B: Living room at night15.2S

Fictional skincare ad · Cast: NANAMI · 3 s × 5 shots · Version A shot 03 trimmed by 0.4 s at the end · MiniMax H3 on a local GPU

MADE WITH KONTE—EDIT

The shots you're missing, no shoot needed

Same dish, same shopfront. Add shots with a different angle, or different weather.

Angle, lens and camera move vary

  • ORIGINAL

    Original shotHigh angle · Static

  • From straight aboveOverhead · Static

  • Wide, pushing inEye level · Dolly in

  • Noodle macroMacro · Static

Insert shots for a variety show · 5 s · no cast · the variations are shot from frames of the original · MiniMax H3 on a local GPU

04—FITGood fit, poor fit

Where Konte helps, and where it doesn't

If you only want to try one clip, going straight to a model can be faster.

KONTE HELPS

  • When you shoot many videos with the same cast
  • When you go back to the same place for pick-ups
  • When you want to build up cast and sets, job by job
  • When the count grows and API fees start to matter
  • When you want to work through the shot list with a client
  • When you shoot a series, episode after episode, with the same cast

FASTER WITH A MODEL ON ITS OWN

  • When you just want to try one shot, right now
  • One-off clips where the cast and place change every time

GET STARTEDStart here

Your film studio, starting today

Start by creating a single cast member. We're happy to talk it through.

Contact us