SH-03 · 8s loop · KONTE · MiniMax H3 on a local GPU

Your own film studio, run by AI

Just say what you want to shoot. You get a shot list with every shot planned.

KONTE App screen, recreated and translated · images are illustrative

SH-02 · 6s · KONTE · MiniMax H3 on a local GPU

02—THE PROCESSHow a shoot runs

Every step of a pro shoot, handed to AI

Casting, location, camera, shooting. The same steps as a real set, no expertise needed.

TALK TO BUILD—From conversation to footage

Every conversation adds videos and assets

Planning and shooting both happen as you keep talking. Everything you make stays in the project.

01—TALK
Talk
Describe the video you want in one sentence. Attach cast, sets or photos too.
02—PLAN
Get a shot list
First a plot; if it works, a breakdown with chapters and shots. Keep talking and it gets revised.
03—SHOOT
Press to shoot
Once the cast and set reference images are ready, press “Generate from this shot list” (この構成表で生成する). Earlier takes stay in the history.
04—KEEP
Keep it on the shelf
Videos appear beside the conversation, shots go to Outputs. Cast and sets carry over to your next piece.

↺ Your next piece starts from this shelf

HOW IT WORKS

IN THE APP—THE PROCESS

Talking with AITalk, and it moves from plot → shot breakdown → cast and sets → rendering. Finished videos collect on the right.

DashboardAsk in one sentence and you get a video. Finished videos line up by project.

Project homeA 6-episode vertical drama in one project. Write how you like shots broken down under “Breakdown rules” (コンテの決め事).

03—CASTINGCast & wardrobe

Actors and wardrobe, as many as you like

Cast someone once and they can appear in your next video too — same face, same feel.

CAST SHEET Turnaround and face close-up

COSTUME 1 White shirt

COSTUME 2 Navy knit

TAKE Seaside promenade

TAKE Café by the window

MADE WITH KONTE—CASTING

Same direction, only the cast swapped

Four scenes. In each, the prompt is identical word for word; the only change is the cast.

Eye level · Static · 3 s

NANAMIWoman, 30s
MIOWoman, 20s
AOIWoman, 20s
HINAWoman, 20s
REIWoman, 50s
YUMAMan, 30s

6 cast members × 4 scenes · the 6 clips of a scene share the same shot direction and camera · MiniMax H3 on a local GPU

MADE WITH KONTE—Balance: 10 Billion

The same face, episode after episode

Minato, the lead. One reference image and a cast description keep him the same person in every episode.

Episode 1
14 Doubt
Episode 1
17 Nagi
Episode 2
11 Who?
Episode 4
10 Understood
Episode 5
14 Long time
Episode 6
08 Let's meet

Shots from episodes 1–6 of the vertical drama “Balance: 10 Billion” where Minato's face can be seen (episode 3 only shows him from behind, so it's left out) · MiniMax H3 on a local GPU

HOW IT WAS MADE

IN THE APP—CASTING

CastThe 6 people who appear across all 6 episodes. Turnaround profile sheets show who looks like what at a glance.

Create cast with AITalk to it with photos or videos attached, and you get a cast member with name and profile filled in.

Face optionsMake 3 face options as short videos, compare them, and use the frame you like as the reference image.

Swapping the castOne chapter per scene, each with 6 shots that differ only in the cast. The videos above were shot from this screen.

04—SET & LOCATIONArt department

The feel of a real location, no scouting

Day, night, rain. Come back to the same place whenever you need more shots. No waiting on weather, no travel.

DAY KONTE· MiniMax H3 on a local GPU

NIGHT KONTE· MiniMax H3 on a local GPU

RAIN KONTE· MiniMax H3 on a local GPU

ANGLE 1 Close

ANGLE 2 Wide

ANGLE 3 Overhead

MADE WITH KONTE—SET & LOCATION

Same cast, a morning and a night version

A 15-second ad, same shots. Only the place and time of day change, for versions A and B.

Version A: Morning kitchen14.8S

Version B: Living room at night15.2S

Fictional skincare ad · Cast: NANAMI · 3 s × 5 shots · Version A shot 03 trimmed by 0.4 s at the end · MiniMax H3 on a local GPU

MADE WITH KONTE—Balance: 10 Billion

Back in the same room, episode after episode

The set “Minato's room”. From episode 3 to episode 6, 30 shots were taken in this room.

Episode 3
10 The number
Episode 3
08 The wall
Episode 4
01 What the × means
Episode 5
02 Three of them
Episode 5
13 Nice to meet you
Episode 6
12 All to ourselves

From the shots on the set “Minato's room (a small room in an old apartment)” in the vertical drama “Balance: 10 Billion” · MiniMax H3 on a local GPU

HOW IT WAS MADE

IN THE APP—SET & LOCATION

A set from a photoJust hand over a photo you took and ask. It reads the photo and builds a set of that place.

Sets12 places across 6 episodes. One room is reused for 30 shots.

Linking to a chapterAttach a set to a chapter and every shot is filmed in the same room.

05—CAMERACinematography

Any angle, any lens

“Telephoto, push in, pan right.” Pick it and it's understood. No rewriting the prompt.

At eye height. Plain, easy for the audience to step into

In the app: 8 angles·4 lenses·10 moves·4 speeds

BULLET TIME — Orbit / Slow

ANGLE Eye level

06—SHOT LISTThe breakdown

Production quality at the storyboard stage

A table of picture, lines and captions becomes the video as is. Retake just one shot.

Episode 1 “The Flight Home”/04 The call · Shot list

MiniMax H3 on a local GPU6/6 CUTS · 26s

Visual · Hold the original incoming-call image from start to end. Only the gold waveform above NAGI pulses. Don't change the text, numbers or buttons. Add nothing outside the screen: no hand, phone edge, desk or room. Don't cut to another scene. No speech.

HISTORY
The take in use. Press to see the take from before the retake

Visual and direction

Hold the original incoming-call image from start to end. Only the gold waveform above NAGI pulses. Don't change the text, numbers or buttons. Add nothing outside the screen: no hand, phone edge, desk or room. Don't cut to another scene. No speech.

Cast—Location—

Angle: Eye level
Lens: —
Move: Static
Speed: —

07—STAGEWhere it renders

Shoot in the cloud or on your own GPU

Start today with the API. As the volume grows, your own hardware can pay off.

Konte is built to shoot both in the cloud and locally. Try it through the API first; when you need more videos or higher quality, move to your own GPU with the same shot list. API fees pile up the more videos you make, so owning the hardware can get you rolling sooner.

CLOUD
Cloud API
Calls MiniMax H3 through the fal.ai API. No GPU, no setup: you can shoot the day you sign up. You pay on your own fal.ai account, only for what you use.
LOCAL
Your own GPU
Run the same MiniMax H3 on your own machine. API fees rise with every video, so the more you produce, the more owning the hardware lets you work fast and shoot freely.
COMFYUI
ComfyUI inside
Konte is a studio built around ComfyUI. New video models come in through ComfyUI too, so what you've learned stays the same while the footage keeps getting better.

RENDERINGMiniMax H3 via the fal.ai API5–15 s per shot

08—EDITEditing

Cut it together, export it to your edit

Burn in the captions and make it one video. Export an MP4, or show it with a URL.

TIMELINE — 12 CUTS

EXPORT MP4 · 16:9 · 9:16 · 1:16 ratios in all

MADE WITH KONTE—EDIT

The shots you're missing, no shoot needed

Same dish, same shopfront. Add shots with a different angle, or different weather.

Angle, lens and camera move vary

ORIGINAL
Original shotHigh angle · Static
From straight aboveOverhead · Static
Wide, pushing inEye level · Dolly in
Noodle macroMacro · Static

Insert shots for a variety show · 5 s · no cast · the variations are shot from frames of the original · MiniMax H3 on a local GPU

IN THE APP—EDIT

Play-throughWatch it all the way through with captions on top, and give a shot directions while you watch.

Finishing and downloadJoin every shot into one video and burn in the captions. Download the finished video, the subtitles and all the shots at once.

ShareIssue a URL anyone can open without logging in. Choose what it shows and its cover.

OutputsShots you take go to Outputs. Narrow them down by project → video → chapter.

Insert shotsInsert shots get one chapter per subject. The footage above was shot from this video.

09—PRODUCTIONYour production house

A production house that grows as you use it

Every cast member and set becomes an asset each time you shoot. Your next video starts from that shelf.

The cast you create, your sets, the shots you take and the notes you gather all stay in the project. Your next video starts by picking from them. The more you shoot, the more shelves you fill, and your own production house grows.

01 / 04—CASTCast

Make them once, cast them again and again

Attach photos, or talk it through with the AI. Face and feel carry over to your next video.

Turnaround and profile sheet
A front / side / back turnaround and a face close-up sheet are kept for each cast member.
Choose from face options
Make 2–3 face options as short videos, compare them, and use the frame you like as the reference image.
Just pick them for the next episode
Once a cast member is made, just pick them for the next episode. Our 6-episode series was shot with the same 6 people.

Minato · Profile sheet

Face options3

Chosen

Cast6

02 / 04—SETSets

Build a room once, come back any time

Keep a picture of the place as a set. Every pick-up is shot in the same place.

One picture of the place
Make a wide shot with nobody in it and use it as the reference image. You can also make it from a photo.
Just attach it to a chapter
Attach a set to a chapter and every shot in it is filmed in the same place.
Scout the location once
A place you've built is one pick away in the next video. No waiting on weather, no travel.

Room 09 (old motel) · Set（Balance: 10 Billion）

Set

Shots in Room 09 (old motel)14

Sets12

Outside the White House (before dawn)
A Washington back alley
Room 09 (old motel)
Air base runway (sunrise)
Fighter jet back seat
Haneda Airport runway (morning)
News studio
Waseda student quarter (morning)
Minato's room (a small room in an old apartment)
University cafeteria (noon)
University corridor (outside the cafeteria)
The Chairman's study (high above Nagatacho)

03 / 04—OUTPUTOutputs

Past videos become material for the next

Shots and finished videos stay in the project, and any of them can go back to the shot list for fixes.

Shots and finished videos
Generated shots, and the finished videos joined into one piece, each in its own list.
By video, by chapter
Filter by the project → video → chapter tree. List only the latest version, or every version.
Back to the shot list from any shot
From the shot you want to fix, go back to the shot list and retake just that shot.

Balance: 10 Billion Episode 1 “The Flight Home”

SH-16 · PLACEHOLDERFinished video · 33 shots · 2:16

Shots · 04 The call6

04 / 04—WIKIReference

A project brief the AI reads too

Pitch, characters, structure, scripts. Write them down in the project's Wiki.

From the pitch to the scripts
Keep the overall structure and each episode's script and shot table on separate pages.
Rewrite it with the AI
Ask the AI to rewrite the page you have open, and go back to the previous version if you like.
The basis for the shot breakdown
The AI reads what you write here when it breaks the story into shots.

Pages15

公開版（2 回目のゲーム）
企画書（公開版）
登場人物（公開版）
全 30 話構成（公開版）
β版（社内デモ・動画あり）
企画書・世界観
シーズン1 構成（全30話）
登場人物
第1話「帰国便」脚本
第2話「羽田」脚本
第3話「早稲田」脚本
第4話「学食」脚本
第5話「執行」脚本
第6話「議長」脚本
制作メモ（Konte でどう作ったか）

第1話「帰国便」脚本・カット表

縦型 9:16 / 約 125 秒 / 32 カット。香盤表（動画「第1話「帰国便」」）と同じ中身。

ログライン

記憶を失った 18 歳の青年が目を覚ますと、そこはホワイトハウスの前だった。手には、残高 100 億円の黒いスマホ。電話の向こうの AI は言う——「ご依頼は、残高の範囲で何なりと」。

読み方

「…」は画面の人物が口にするセリフ。ナギ（声）は画面に映らない声。『…』は画面の中に映る文字。

テロップは仕上げで動画の上に載せる文字（生成には渡らない）。

着信画面・明細・タイトルは、文字を崩さないよう UI の静止画を先に作り、その 1 枚から動かす。

1. 目覚め

夜明け前の青い光と、パトカーの赤と青の回転灯。何が起きているのか分からない不安を、手持ちの揺れと浅いピントで見せる。

01 目覚め	湊の閉じていたまぶたがゆっくり開き、焦点の合わない瞳に赤と青の光が揺れて映る。
02 ホワイトハウスの前	夜明け前、誰もいない歩道。黒い鉄柵の前にひとり立ち尽くす湊。右手に黒いスマホを握っている。湊の背後に白いホワイトハウスがそびえている。湊が小さくつぶやく「……どこだ、ここ」
03 名前が出てこない	湊が自分の手のひらと黒いスマホを見下ろし、顔を上げて不安そうにあたりを見回す。呼吸が浅い。湊「俺……誰だ？」
04 包囲	パトカー2台がタイヤを鳴らして急停止し、制服の警官2人がドアを開けて銃を構えながら飛び出してくる。赤と青の回転灯。先頭のミラー巡査が叫ぶ「Freeze! Hands where I can see them!」
05 逃げる	湊が両手を半分上げかけて……次の瞬間、踵を返して全力で走り出す。

The drama and its materials (storyboard, cast, sets, Wiki) are in Japanese, as they are in the app.

FEATURESWhat it does

From pitch to delivery, on one screen

Built around the shot list, with everything a studio does in one place.

What Konte does
Area	Feature	What it does
Planning	Plan by talking	Describe the idea for your video and it moves from plot → shot breakdown → cast and set reference images → rendering. A person presses the button for each next step.
Planning	Write the Wiki with the AI	Pitch, characters, structure and scripts go in the Wiki. Rewrite the page you have open together with the AI, and go back to the previous version if you like.
Planning	House rules for the breakdown	Write down how the project likes its shots broken down, such as pacing or shot length, and the AI follows it every time it breaks a story into shots.
Planning	Start from a form	Not one for chatting? Filling in a form is enough to set up a piece.
Cast	Create a cast member	Attach photos or talk it through with the AI. Compare face options as short videos and use the frame you like as the reference image. You also get a turnaround and a profile sheet with a face close-up.
Sets	Build a location	Make a set for a place from a photo or a description. Attach it to a chapter and every shot is filmed in the same place.
Props	Things that keep appearing	Make the things that keep appearing, such as a phone or a bag, into props. Give them a reference image and they look the same from shot to shot.
Camera	Pick the camera	Angle, lens, move and speed are buttons named in on-set language. You can also pick by the effect you want, such as “draw in” or “intimidate”.
Camera	Frame it in 3D	Place the camera and the people in 3D to set the frame. Start from 14 framing presets such as full body, over the shoulder, or two people face to face. Available when you shoot on your own GPU.
Shot list	The plot table	An episode's shots on one table. Picture notes, lines with their speakers and captions side by side, editable right where you click.
Shot list	Retake a single shot	Regenerate only the shot you don't like. Earlier takes stay in the history, so you can compare and choose. You can also give the shot directions while you watch it.
Shot list	Play it through	Play the whole video start to finish with the captions on top. Press a frame below to jump to that shot.
Rendering	Cloud or local	Each organization picks MiniMax H3 on its own GPU, or MiniMax H3 / Hailuo via fal.ai. The GPU queue is visible in a list, and urgent jobs can jump ahead.
Specs	Aspect ratio, resolution, frame rate	16:9, 9:16, 1:1, 4:3, 3:4, 21:9 / 480p, 720p, 1080p / 24, 30, 60 fps.
Editing	Join and export	Join every shot into one video and burn in the captions. Download the finished video, a subtitle file (SRT) and all the shots at once (zip). Each shot's MP4 also works in your own editor.
Editing	Captions	9 looks, from YouTube-style to film subtitles. Pick one for the whole video, or change it shot by shot. Rewriting them needs no retake.
Sharing	Share page	Issue a URL anyone can open without logging in. Choose what it shows besides the video (shot list, cast, sets, Wiki) and pick a cover.
Assets	Outputs and asset library	Generated shots, finished videos, and photo and video assets are kept per project. Cast and set images sort themselves into folders.
Team	Members and guests	Invite members to work from the same shot list. Bring clients in as guests, job by job.
Integrations	API and MCP	From Claude Code or Codex on your own machine, ask for anything from the Wiki, cast, sets and shots to rendering (52 tools). It renders only when asked, and deletions that can't be undone happen only on screen.

DEMO WHY KONTE REQUIREMENTS HOW IT WORKS

10—SHOWREELReel

Every clip here, made in Konte

12 CUTS · 1:02 · MiniMax H3 on a local GPU

MADE WITH KONTE—SHOWREEL

Vertical dramas, made in Konte too

One share URL shows the video and what's behind it: the shot list, cast, sets and Wiki.

SCREENING — SHARE PAGE

Balance: 10 Billion

3–4 shots from each episode, joined (mid-episode for episode 3). Press the speaker for sound.

Episode 1 “The Flight Home”
01 Waking up
33 CUTS · 2:16
Episode 2 “Haneda”
01 Landing
17 CUTS · 1:03
Episode 3 “Waseda”
06 Outside stairs
15 CUTS · 0:58
Episode 4 “The Cafeteria”
01 What the × means
17 CUTS · 1:04
Episode 5 “Execution”
01 The news
15 CUTS · 0:57
Episode 6 “The Chairman”
01 Nagatacho
15 CUTS · 1:00

OPEN THE SHARE PAGE

Vertical drama “Balance: 10 Billion” · 3–4 shots from each episode, joined (mid-episode for episode 3) · made by one person and an AI (Claude) · one RTX 4070 12GB GPU, no cloud fees · MiniMax H3 on a local GPU

HOW IT WAS MADE

SH-18 · 6s · KONTE · MiniMax H3 on a local GPU

11—GET STARTEDStart here

Your film studio, starting today

Start by creating a single cast member. We're happy to talk it through.

FAQ — Common questions

Who owns the rights to the videos I generate?
Rights to the shot list, the assets and the generated results belong to the user. Whether to publish or use what you generate is your call (Terms of Use, Articles 2 and 3).
Can I use the shots in my own editing software?
Yes. Each shot exports as an MP4, so it goes straight into the cut in your editor. You can also pull stills from your cut and use them as keyframes for a shot (up to 15 per shot).
What language is the app in?
Japanese. The screens and the camera settings are in Japanese. If you'd like to use Konte in another language, get in touch.
Does it cost anything?
In the cloud, you pay the usage fees on your own fal.ai account. On your own GPU, there are no API fees.